乡村公共文化治理中合作生产理论分析框架的提出是顺应中国乡村公共文化治理理论与实践发展，促进乡村从传统文化事业管理迈向现代公共文化服务体系建设，实现乡村公共文化高质量和乡村文化振兴的必然要求。文章以合作生产视角切入，不仅探索性地提出了乡村公共文化治理的概念，强调其中的合作生产核心要义。同时，将上述概念内涵进一步融入到包括乡村公共文化治理转向、资源系统、资源单位、治理系统、行动者、行动情景在内的社会生态系统框架中，建立起了文化治理理论与合作生产理论的关联，为乡村公共文化治理中的合作生产提供一个通用的理论分析框架。但作为一种发展中的命题，仍需在中国乡村公共文化治理实践中进一步丰富和拓展。

The introduction of a theoretical analytical framework for co-production in rural public cultural governance corresponds to the development of theory and practice in China's rural public cultural governance. It aims to promote the transition of rural areas from traditional cultural management to the construction of a modern public cultural service system, thereby realizing the inevitable requirement of high-quality development of rural public cultural services and rural cultural revitalization. From the perspective of co-production, this article not only explores the concept of rural public cultural governance in an exploratory manner but also emphasizes the core significance of co-production within it. At the same time, the above-mentioned concept is further integrated into the social-ecological system framework. This includes the shift of rural public cultural governance, resource systems, resource units, governance systems, actors, and action scenarios. This establishes the connection between cultural governance theory and co-production theory, providing a universal theoretical analysis framework for co-production in rural public cultural governance.However, as a developing proposition, it still needs to be further enriched and expanded in the practice of public cultural governance in Chinese rural areas.